1. Miles Davis and Milt Jackson Quintet/Sextet
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Miles Davis

Miles Dewey Davis III (May 26, 1926 – September 28, 1991), better known as Miles Davis was an American jazz musician, trumpeter, bandleader, and composer. Widely considered one of the most influential and innovative musicians of the 20th century, Miles Davis was, together with his musical groups, at the forefront of several major developments in jazz music, including bebop, cool jazz, third stream, modal jazz, post-bop and jazz fusion.

In 2006, Davis was inducted into the Rock and Roll Hall of Fame, which recognized him as "one of the key figures in the history of jazz". In 2008, his 1959 album Kind of Blue received its fourth platinum certification from the Recording Industry Association of America (RIAA), for shipments of at least four million copies in the United States. On December 15, 2009, the U.S. House of Representatives passed a symbolic resolution recognizing and commemorating the album Kind of Blue on its 50th anniversary, "honoring the masterpiece and reaffirming jazz as a national treasure".

  1. ^ Gerald Lyn, Early (1998). Ain't but a place: an anthology of African American writings about St. Louis. Missouri History Museum. p. 205. ISBN 1-883982-28-6. 
  2. ^ a b
  3. ^ RIAA database – Gold & Platinum search item Kind of Blue. Recording Industry Association of America. Riaa.com. Retrieved on 2013-08-08.
  4. ^ "US politicians honour Miles Davis album | RNW Media". Rnw.nl. Retrieved 2015-07-17. 

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Milt Jackson

Milton "Bags" Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and post-bop players.

A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. He preferred to set the vibraphone's oscillator to a low 3.3 revolutions per second (as opposed to Lionel Hampton's speed of 10 revolutions per second) for a more subtle vibrato. On occasion, Jackson sang and played piano professionally.

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